![]() Iowa was one of the only schools to have a dedicated film school at the time, but the program was limited. The pair met in Iowa in the early 1970s when Thompson, who was born in Iowa City, was finishing her undergraduate degree and Bordwell was beginning his master’s. ![]() “By the time I got my bachelor’s degree, I realized I didn’t want to be in theater anymore,” says Thompson. She was a theater major who took an elective course on the history of film on a whim. But I started reading books about film when I was 12, and that’s what drew me in.” Thompson’s cinephilia emerged later, when she was an undergraduate at the University of Iowa. “I had to watch films on TV, mainly old movies from the ’40s. “My family only went to town once a week,” he remembers. Jim Healy, the director of programming for both organizations, says Bordwell and Thompson serve a critical role: “One of their contributions is that they’ve helped bridge the gap between the academic world and the popular world.”īordwell first fell in love with film as a boy living on a farm in upstate New York. The two are consistently tapped by local film programmers, including staffers for Cinematheque and the Wisconsin Film Festival, for advice and connections. Thompson is more subdued, choosing her words more carefully, but packing a wallop with each quiet observation. Bordwell is ebullient, brimming over with ideas that animate him. Though they work closely together, the two are markedly different as individuals. They have this energy you feel when you talk to them.” The number of things they cover, everything from the best films of 90 years ago to current analysis of popular films. “One of the things that’s fascinating is that, after David retired, he and Kristin worked more than ever,” says filmmaker and UW Faculty Associate Erik Gunneson. The couple’s blog, “Observations on Film Art,” contains more than 700 entries, not just on classic cinema, but on current films anyone would recognize: Mad Max: Fury Road, Paranormal Activity, Spotlight even broad comedies, such as Sisters or Daddy’s Home.īordwell, who retired in 2004 after 31 years of teaching in the UW Communications Arts Department, has just published a new book on revolutionary critics of the 1940s, and Thompson is turning her attention to a surprising second career working as an Egyptologist. That might be enough of an accomplishment for any scholar, but Bordwell and Thompson continue to be prolific - and relevant. Recently, it was ranked 153rd on the Open Syllabus Project’s list of most-used college textbooks, and it’s the only film book in the top 200. This only includes the original digital ebook Film History: An Introduction 4th edition epub and a converted PDF version is also available on request.That book, the cornerstone of all Film 101 courses, is Bordwell and Thompson’s Film Art: An Introduction, now in its 11th edition. NOTE: This purchase does not contain access to connect or any other online code. Any serious film scholar - undergraduate student, professor, or graduate student - will want to read and keep Film History 4e. The 4th edition of Film History is thoroughly updated and includes the 1st comprehensive overview of the impact of globalization and digital technology on the cinema. Events and concepts are illustrated with frame enlargements taken from the original sources giving college students more realistic points of reference than competing ebooks that rely on publicity stills. ![]() Written by 2 of the leading scholars in film studies, David Bordwell and Kristin Thompson, the eBook Film History: An Introduction 4th edition (ePub) is a comprehensive global survey of the medium that covers the development of every genre in film from comedy and drama to documentary and experimental.
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